Sigur Ros' Jónsi Explores Sexuality, Real Words, and Whether or Not "Hiatus" actually Means "The End"
Jón "Jónsi" Þór Birgisson is perhaps best known for his innovative work with the Icelandic post-rock collective Sigur Ros. For 16 years, Jónsi sang in the group's nonsensical "Hopelandic" language, pairing his ghostly falsetto with the band's lovingly experimental orchestral build-ups.
Nowadays, Sigur Ros has gone on hiatus, and many of its members are busy raising children. Jónsi on the other hand, has taken to playing solo and collaborating with his partner, Alex Somers, most recently on their dreamy 2009 album, Riceboy Sleeps.
Now, Jónsi is steadily preparing to release his first solo effort, Go, which is a collective effort between the songwriter, Alex, and modern -classical composer, Nico Muhly. Jónsi's solo work is a stark diversion from his output with Sigur Ros, taking a sharp, energetic turn into his own peculiar brand of pop music. On the eve of the album's release, MOG sat down with Jónsi to discuss what its like to be gay in dude-dominated realm of indie rock, why he included English lyrics on the album, and that most looming of all questions: when and if Sigur Ros will ever return.
MOG: How long has Sigur Ros been on hiatus now?
Jónsi Birgisson: We have been on a break for like one and a half years, or something now? When I stop touring (things are kind of crazy now) but in between touring and my album we're going to record something more.
MOG: So you do have plans to get back together?
JB: I think we're definitely going to do more stuff together. I think the reason why I made this album and worked with Alex as well is because all of the members of Sigur Ros are just having babies, like all of them except for me. So it was kind of perfect timing for me to do this album. It's the only time I have. But like I said earlier, in between touring of my album I think we're going to go into the rehearsal space and start writing more songs.
MOG: And your work with (your partner) Alex? How's that been?
JB: It's been good! We have really similar taste in nearly all things. So it comes quite easy for us to work together. We're a good team because I work really fast and he works slow. Sometimes that's good, y'know, for a team. He slows me down and I kick his ass (laughs). So it's good teamwork. He helped me produce this album and he has been with me all the way...to produce the songs, to structure them, to arrange them, so that's been really really good.
MOG: When working independently and with Alex, do you feel as though sexuality ever comes into your music?
JB: Sexuality...what do you mean, being gay?
MOG: Well, yes, but I'd ask that of any couple creating music together.
JB: Well it's definitely interesting being in a relationship when you make so many things together. And like I said earlier, we have so many similar interests. We like all the same things: the same music, the same movies, the same foods, and we do the same things together. I think it's just amazing-to inspire each other and talk about ideas. It's kind of my dream situation. You make a song and he helps you to push it forward and bring out new ideas. I think it's really healthy. But sometimes, it can be too much. But usually our relationship is super, super good and if there are problems then we just talk about it. Sometimes it can be a little too much when you're always together.
MOG: Well, as a woman, I feel like the indie rock realm is a very male-dominated space. Would you agree? As a gay artist, do you feel that indie rock is a hetero-normative space?
JB: Yeah, maybe, a little bit. I think that nearly every music scene is straight. I think (indie rock) is no different from any other music scene. For me, for example, growing up being gay I think my sexuality has helped me a lot with my music making. When I was young and growing up in the countryside being gay, I didn't know anyone who was gay. So I kind of ended up just creating a lot of stuff, and making music and drawing and painting just to keep me occupied and happy with life. Because I didn't know anybody, I didn't have any boyfriends and stuff like that. And when I talked about being gay, I turned to music and turned to writing songs to make me feel better. So I think being gay has helped me a lot with my music making. I've been doing it for a long time.
MOG: Nico Muhley was a fixture in your new album as well. How was it working with him?
JB: It was super fun. He's a really fast-working hyperactive gay queen. It was really really fun. I heard one album (of his) before I started working with him and really really liked the arrangements. I immediately thought "oh, this is going to work for my songs." Because I wanted to move away from the Sigur Ros strings arrangements. I thought he would be a perfect match for me-to kind of bring in the schizophrenic and crazy string arrangements, which he did. It brought a lot of color to the album. I really really liked that he worked so fast and was also really spontaneous.
MOG: And why did you choose to sing partly in English this time? Is that Alex's influence?
JB: Yes, I think because my boyfriend Alex is American, and although we both live in Iceland but speak English when we're at home, it was kind of the next step for me to write lyrics in English. I had never tried it properly before. I thought it was kind of a big challenge with my work. I found it to be a little bit hard. It took me a really long time, but it was definitely healthy for me to try it.
By Rachel Brodsky | MOG Writer